our flashy new 2012 logo...a bit posh, don't you think?

Happy New Year everybody!

You’ve turned 2011 into 12 very special months for Retreat so we wanted to thank you for your unlimited support!

There were many highlights this year: our first Retreat tour outside of Europe (in Australia of all places!), the exponential growth of our online shop, the mad success of Session Victim‘s “Good Intentions” (which even landed on RA’s “tracks of 2011″ poll!) and the enthusiastic reviews of Matthias Reiling’s “Escape The Room”.

We’re thrilled that our vinyl-only imprint is getting some props, although to be honest, our goal was never to get a piece of the hype pie with the help of charts or reviews. Retreat is, and forever will be, a label that cares most of all about music, hence our erratic release schedule: a new Retreat record only happens when Hauke and myself feel 100% happy with the tunes!

But the attention we received in 2011 has definitely proven that quality prevails over quantity: Retreat had only 2 records out last year but they might have had the most impact out of our whole catalogue! So thanks again for your endless support!

Now what is to expect from Retreat in 2012? Well we’re still juggling with different ideas, namely a new Quarion EP or the next volume of “Treats” so we won’t announce RTR11 yet…

But one thing for sure is that there’s a lot of action going on for Retreat artists OUTSIDE of Retreat in the form of debut albums: Session Victim have put the final touches to their longplayer for Delusions Of Grandeur and are prepared to drop this groove masterpiece before the summer! Iron Curtis is also working on his first full length for Mirau and the album is due to surface some time in the second half of 2012!

As you can see, everything is pretty much under wraps at the moment, but rest assured that more info on all these various projects will pop up on this blog when the time is right.

Enjoy the beginning of 2012 for now and stay tuned!

Records? Somebody wants records?

Back in 2010, we released two records that sold out quickier than hot pancakes: the “Treats Vol.2″ sampler featuring tunes from Session Victim and Quarion followed by a 12″ from Session Victim entitled “On The Roll”. Since then, we’ve been constantly asked to repress these EPs and after much delay, we finally ordered a fresh batch of RTR05 & RTR06!

We were so excited to have ALL of our productions back in stock that we also took the opportunity to upgrade our webshop page with a broader display, an embedded SC player and dope new releases out of the Frank Music, Fried Tofu, or Lurker camp!

Thanks for your ongoing support, signing off for now!

Retreat

Woodland sets the tone for the whole ep: a reduced and droney House tune that makes great use of vinylinduced noise. Constantly moving hi-hats combine with a subterranean bass to provide a super-tight groove that is highly addictive. With only a chord stab and some extra percussion altering the groove from time to time, Woodland is definitely a deep and hypnotic affair, somehow reminiscent of Photek’s early output but with an unmistakable Reiling twist.

Matthias’ Hip-Hop influences particularly shine through on the heavy 100 bpm banger Kalkskar. This pretty reduced track showcases a medieval-sounding guitar loop build upon a skippy beat. But when most producers would be happy with the main loop playing straight through the whole song, Matthias never lets it rest: the guitar gets filtered, halved, echoed or reversed before finally fading into oblivion.

The Hissing is pure excitement on wax and proves the age-old saying that “The B-Side Wins again”: the drama unfolds on a slow House tempo as strident strings get beefed up by pounding drums and a low bassline. The pressure kicks it up a notch during the break when a character informs us about incoming pain and the sound of hissing. The beat then drops back in with extra string riffs and spooky organ touches. Tension rises when additional percussion creeps in to slowly introduce another dramatic monolog breakdown. But the hissing stops as soon as the groove returns, keeping the track alive for another minute before it’s ineluctable fate.

As the ep’s closer, Malachai is a masterfully crafted tune that rolls with the tightest of basslines. This Hip-Hop/ Drum ’n’ Bass hybrid begins with a warning about upcoming terror scenes before letting loose a stateof- the-art beat workout. Weird synths and percussive elements help keep the excitement levels in check before the song experiences a proper Hip-Hop changeover. The drums move back in while a faint melody calmly drivesthis refined track to its conclusion.

A1 – Woodland
A2 –Kalkskar
B1 – The Hissing
B2 – Malachai

Release: October 5th 2011
(RTR-10_Releasesheet)

Needless to say that neither Hauke nor myself fully realize yet how far we’ve gone. Back in 2009, I envisioned Retreat as a hand-stamped, Vinyl-only white label. Flash-forward to 2011 and here we are, putting out records with proper sleeves, proposing label-merchandise and touring all over the world … with Retreat label parties in Australia, of all places!

But hey, despite the ups and downs of swimming with the sharks of the music biz, the most important thing is that Hauke and myself have faith in our label and most of all in the music that we put out. So for vinyl n°10 we’ve got a special treat coming your way: a 4-track EP from Matthias Reiling that is quite unlike anything Retreat has released so far … hence also a proper full print cover, courtesy of designer extraordinaire Gesine Todt!

As you know, we like to keep things on the hush-hush tip so we won’t reveal more information now…but you can be sure that a trailer will surface on this site very soon!

We’re also excited to offer even more choice for all you vinyl junkies out there via our dedicated online shop: apart from the full Retreat catalog and selected artist-related releases on other labels, you can now order Frank Music’s first output (featuring a killer rework courtesy of Iron Curtis) as well as the indispensable Fried Tofu edits, a series of Disco reworks that are known to turn any dancefloor upside down!

Stay tune for more news coming soon!

You, On A Friday Night begins flat out with one of the dirtiest square wave bassline this side of the Atlantic, promptly followed by tambourine beats and offbeat FM stabs. It’s a rock-solid foundation and Iron Curtis unfolds it delicately for a good minute and a half before introducing the breakdown with a piercing synth chord. As the rhythm kicks back in with extra percussive elements, the iron man gets down to work on the bassline by twisting, filtering and stretching it in a very impressive manner. The beat drops once again while the sharp Juno synth reveals a proper chord sequence, bringing an unexpected emotional feel to the entire track. After an exciting build-up, the drums reappear and an additional hi-hat implements the final touch to this bouncy masterpiece.

Quarion deliberately ventures in tooly house territory with the super-effective groove of Mysteries Of Time. This tune highlights dubby chords revolving around a heavy 118 BPM rhythm and a strong sub-bass. Although pretty basic in its form, Mysteries Of Time has a very live feel as the beat seems to drift in and out of the foreground while someone speaks about the confusion of our awareness of time. The madness happens after 3 minutes as Quarion flips the script on time manipulation and introduces a bold tempo change! But you won’t be bobbing your head for too long as the track soon goes back to its original form and concludes as enigmatically as it began …

Turn the record over and the shuffling beat of Good Intentions will instantly pull you in Session Victim’s realm. The groove provided by these dusty Rhodes licks is nothing short of addictive and it will get your hips moving in no time. Subtle vocal snippets and a flowing drum programming lock the whole track on rails while keeping your behind on the floor. Your excitement grows as the SVM boys filter the main theme and Jupiter chords appear from the background. No doubt that you’ll be sweating that last shot of Tequila when the drums slam you back in the track and the loop makes a glorious comeback! But you’ll be able to catch a breather when a sweet synth melody plays along these dusty keys until Good Intentions reaches its well-rounded conclusion.

A1 – You, On A Friday Night
A2 –Mysteries Of Time
B1 – Good Intentions

Release: May 25th 2011
(RTR-09 Releasesheet)

How are you supposed to go to work after such a breakfast?!!!?

Phew, it’s been so long since the last post, it almost feels like a resurrection!

As always folks, I’m the one to blame: maybe it’s a renewed love affair with music that keeps me inhouse with my beloved instrument? or maybe it was a relaxing stay in Australia that infused a delicious-but-dangerous slackness in my work ethic, long after I rotated back to Berlin? Anyway, I haven’t visited WordPress in a while and now there’s a lot to say!

Concerning Australia, the Session Victim boys and myself had a wonderful stay at the other end of the world a few weeks ago: great gigs, great food, great friends and all in all just a bloody great time! Special thanks to Mad Racket, Christian Vance, Future Classic and all the aussie crew for setting up Retreat’s first international tour, we’ll be back soon!

It’s a bit late for this one, but we still wish to express our gratitude to everyone that has supported our label in 2010: it’s been our best year so far so we thank you all for helping us promoting the vinyl cause! Despite the fact that more and more labels are doing only digital releases and that Technics has (apparently) finally stopped producing the world’s best turntable, a certain “vinyl-niche” (with vinyl-only labels and vinyl-friendly DJ’s) has definitely settled in the music underground and we’re proud to be part of this movement…

So what’s in store for Retreat this year? Well, since we’re sometimes eager to continue with our traditions, we’ll start the 2011 catalogue with another edition of the “Treats” series…which brings us now to volume 3! Iron Curtis, Session Victim and Quarion have all submitted an exclusive track for this record and while we can’t divulge more info at the moment, we promise you that “Treats Vol.3″ will be the best episode so far! You can also expect some hot new music from Session Victim and Quarion on Retreat later this year as well as exclusive podcasts and a few surprises…

And don’t forget that if you’re looking for previous releases from Retreat’s two main artists and their affiliated projects, our webshop has got all the goodies! From Session Victim’s first bangers on Real Soon to Quarion’s classics on Drumpoet Community via Matthias Reiling’s recent masterpieces on Giegling, you’ll be able to complete your collection at a very fair price.

Before signing off, we’d also like to mention that our super designer Gesine Todt has just finished crafting an open font for Google’s Web Fonts API! A very classy typeface that you can download here.

Thanks for your ongoing support, we promise to hit you up with more news very soon!

ps: our special heartfelt thoughts go out to our followers in Japan, as they are facing a terrible crisis. We wish you a lot of courage and hope during these tough times…

We may share the ultimate bond with the moon Europa: the presumption of oceans underneath its crust of ice as well as an atmosphere that is mostly filled with oxygen make this satellite a good candidate for possible extra-terrestrial life (more micro-organisms than 3-eyed aliens though). Quarion’s »Europa« hopes to reveal the secrets underneath the ice layer: beginning with a skippy beat and a tinkling piano, the track evolves rapidly as subtle keys and a cosmic choir appear from beyond. The voices morph into pure excitement during the breakdown while gorgeous new chords are being introduced. The bassline drops and an irresistible groove settles in, soon followed by a catchy synth melody. The song rises to its apex only to be brought down immediately with a new set of Boogie drums. Extra analogue synths make a welcome entry while the main chords rise again from the background. That is until the reappearance of the Boogie beat which tones the music down and brings the mysterious »Europa« to its conclusion.

The moon Ganymede has much in common with Europa but scientists agree that it is impossible for the former to harbour life. This is why »Ganymede« is the beatapella version of »Europa«, a short but effective rework with only the basic drum elements…

The moon Callisto is the furthest away from Jupiter’s radiation. It is said to be highly suitable for a human base, in case we intend to explore this part of the solar system one day. »Callisto« is therefore Quarion’s ode to space travel in the form of lush organ chords, heavy drums and ethereal pads. The track is a deep and dreamy journey that flows effortlessly as cosmic rhodes melodies and detroitish synths move around the stereophonic landscape.

The moon Io has over 400 active volcanoes and its atmosphere is made up of sulphuric dioxide. A very, very dangerous place indeed, which inspires Quarion to show his rougher side via a raw and heavy 110 bpm workout. The sounds are kept to a minimum (weird pads, strings and a heavy bassline) but »Io« is full of surprises, the best of all being a minute long break where the listener feels suddenly lost in deep space … before »Io’s« gravity pulls him back on its perilous grounds.

A1 – Europa
A2 – Ganymede
B1 – Callisto
B2 – Io

Release: December 15th 2010
(Releasesheet)